I’m
lucky. I love a lot of things which are actually fun to paint. It struck me
that I haven’t done many buildings this year so far. So this is Canterbury.
I
think that the closest to this kind of painting that I did in last year’s
challenge was my painting of Chester. I enjoyed making the process photos for
my rodeo picture so I did the same again for this one.
1)
As with the rodeo picture, I started with big blocks of light
colour
Even
though it’s in the background the tower of Canterbury Cathedral is the most
striking feature of the composition so it was an easy choice to start there.
The
next stage was to work on blocks of colour for the buildings on the left hand
side. Why not the right? Because I’m right handed and it means I can rest my
hand on the right hand side of the paper without smudging what’s there, because
there isn’t anything there yet.
I put
the two pavements either side of the road in next. They make a useful guideline
to show me the bottom line of the buildings on the left. When I painted them
in, there was a lot of shadow on that side, which meant that there would be
less work to do when I came back to it to apply darker tones and details.
You
can possibly see the the buildings on the right look more ‘finished’ than those
on the left now. So the last stage of this first phase of making the painting
saw me paint in the sky – light blue with just a hint of purple for a lilac
colour, but bolder than I used for the rodeo painting. Then the road between the
two pavements.
The
second phase of the painting was to apply tone, shading and finer detail. As
with the first phase I began with the Cathedral Tower and the buildings
directly in front of it.
By
this stage I’m maybe halfway through the work I need to do on the buildings on
the left – but there is very little to do with the buildings on the right when
I’ve finished them, so I know I’m nearing the finish line. Once the buildings
are done there’s a little bit of detailing on pavements and road, then we’re
nearly there.
And
there we are, the painting done, just waiting for the masking tape to be
removed. I do like this kind of scene, so I am pretty pleased with this. All in
all it took a little over 4 hours in one sitting, but then it is a complicated
picture, so I don’t think that’s unreasonable. Here’s the finished painting,
minus tape.
I made a similar composition in an ink and watercolour sketch of York Minster a few years ago. The most similar thing I've done in the challenge would be 2025's painting of Chester. (see below)









