Showing posts with label Moleskine. Show all posts
Showing posts with label Moleskine. Show all posts

Thursday, 5 September 2024

I Don't Need Another Sketchbook . . . but . . .

Since Monday I’ve officially become a retired teacher. Never a teacher of Art, I hasten to add – I have no qualifications in Art, and I leave it to people to make up their own minds up whether I have any talent or not. I start work in a completely different field in just over a week. But still, having finished teaching a strange sense of wellbeing and pride overtook me at the weekend and I decided to reward myself. At the moment, I don’t need another sketchbook, and I don’t need to try out brands I’ve never used before. But I wanted to.

So this is why I bought my first Royal Talens Art Creations Sketchbook. I’m currently using two A5 or nearly A5 sketching journals so I decided to go with the 9x13cm format. It arrived yesterday. For comparison I have photographed it with the Moleskine large (slightly smaller than A5 (left) and the Winsor and Newton A6 (top right)

I was surprised just how small it is. It’s significantly smaller than the Winsor and Newton A6 sketchbook I bought a while ago. It’s an appealing object. Basically it’s just like a smaller Moleskine style portrait travel journal, complete with bookmark and elastic although it doesn’t have a little document wallet inside which is a bit of a shame. The paper is 140 gsm and the colour of the paper is very similar to the rather ivory hue of the Moleskine. I did a couple of copies of simpler Mervyn Peake illustrations from Alice, and I have to say that I enjoyed it. I didn’t quite get the first sketch right in terms of proportions, possibly due to having to get used to using this smaller format. The white rabbit ad the dodo are  more faithful copies. But I have to say, after all the recent sketching since the mega trip where the sketches have been taking two or three hours each, I really enjoyed these.


It made me want to dig out the Winsor and Newton A6 book. I went off this book a bit. The reason why I bought it – apart from curiosity – was as a way of completing the 30x30 direct watercolour challenge in June. I was struggling to make watercolours pretty much for the first week of the month and I thought making quick watercolour sketches in this little book would enable me to catch up. Only, I just didn’t like the paintings very much. The colours all seemed washed out and I lost interest. For the first time since 2020 I did not complete the challenge. I put the book to one side and thought, I guess sketchbooks this small aren’t for me.

I did dig the book out. Instead of making a copy of a Mervyn Peake Alice illustration I made a copy of one of my other favourite Alice illustrators, Ralph Steadman. 

It was fun, but purely based on enjoyment I preferred working in the Royal Talens. The paper in the W&N book is 170 gsm which is all to the good, and it can certainly handle light watercolour without buckling. But it’s very white compared with the more ivory paper in the Royal Talens. The texture in the Royal Talens book is just slightly smoother and I prefer that too. I do like having perforated pages which is what you get in the W&N.

This doesn’t mean that I’m going to be using this smaller format extensively. But it’s fun and very handy to carry.

Why not use a little quality every day?

I did something yesterday that I haven’t done for months. Hey, you’re making up your own stories. No, I mean I made a drawing in my current Moleskine sketchbook.

What prompted it? Well, a combination of things really. But let’s backtrack a bit and look at why I haven’t used my current Moleskine. Since I received my first Moleskine travel sketching journal for Christmas 2019 a Moleskine – the size which is just a smidgeon smaller than A5 – has been an essential part of my travelling equipment. That is, until I bought a Seawhite A5 travel sketching journal earlier this year. Since then this Seawhite has gone everywhere with me. .  . and the Moleskine hasn’t.

I’ve always had a love of stationery. I will gladly browse through an office supplies outlet with the same kind of satisfaction that some of the members of my family experience in bag shops and shoe shops. My son in law Dan is the same when it comes to stationery. Since embracing my love of art and sketching in particular 9 years ago I’ve become more and more interested in the materials out there, and I love reading comparative reviews on artist’s and sketcher’s blogs. In the first half of this year I kept finding reviews of Seawhite of Brighton’s A5 travel sketching journals and the vast majority of the reviewers preferred the Seawhite to the Moleskine. So I bought a Seawhite, and took it with me on a visit to my mother in Worthing for a few days. And I have to say that I enjoyed using it a lot, and have been using it as my main travel journal since. And that has included my mega trip to Dublin and New York. Which doesn’t mean that I don’t like the Moleskine any more. It’s just that at the moment, I like the Seawhite just that little bit more.

You know, I’ve read a lot of reviews recently and it seems to me that Moleskine don’t get a lot of love from most reviewers. It’s all a matter of personal preference and choice. I personally think there’s not a huge amount in it between the Moleskine and the Seawhite. I like the way that the Seawhite takes colour and think it’s just a little better and more vibrant than the Moleskine. I also like that the Seawhite is a true A5- I like that it’s just that tiny bit wider. I will confess to being something of a cheapskate, so I’m also attracted to the Seawhite for being cheaper to buy than the Moleskine. I don’t begrudge a company for charging more for a higher quality product, but I don’t think that a Moleskine, good as it is, is better than the cheaper Seawhite, having used the Seawhite consistently for a couple of months now. You kind of feel that Moleskine are expecting you to pay extra just for their brand name which rankles a little with me if I’m honest.

Okay, so coming towards the point, I recently read a thought-provoking post about attitudes towards sketchbooks, where the writer, a well known art blogger, explained how he had carried through from his childhood an attitude that you should only use your nicest, most expensive sketchbooks for your best work, whereas every day stuff could be done on any old rubbish paper. In practice this meant that he has stacks of unused quality sketchbooks because he has been saving for his best work. Look, he said it a lot better and made the ridiculous nature of the situation stand out a bit better, but you get the point. And I thought – blimey, that’s me.

Well, to an extent, anyway. The fact is that I’d taken my Moleskine out of my travel bag when the Seawhite became a permanent fixture and left it on my desk. -It’s too good to use for everyday stuff – being my attitude. Now the silly thing about this is that I’m not like this about everything.

Take ballpoint pens, for instance. Since I was a kid, in fact before I got to secondary school (I guess the US equivalent to a UK secondary school would be a junior high school) my pen of choice was a Parker pen. The cheapest price for one of these today seems to be £5.80  - about 7.62 USD today. That’s  more than what you’d pay for 20 bic biros. The bics don’t last as long, but there you go. So financially it didn’t – and doesn’t – make sense to always use a Parker. But that’s beside the point. I LIKE writing with a parker. The design is a classic, and every time I have to buy a new pen it’s like a little present to myself. It writes more smoothly than a bic – not necessarily more than 20 times more smoothly. Using one makes writing a more pleasurable experience than writing with a bic.

So yesterday I thought – fair point. If it’s fine to use a better, more expensive pen because it makes even everyday writing more pleasurable, then it’s fine to use a better, more expensive sketchbook to make even everyday drawing a more pleasurable experience. If you’ve followed the blog at all for the last couple of years you might remember how I have a huge admiration for the work of Victorian artist and illustrator John Tenniel, which led me to making ink copies of all of his original illustrations to Lewis Carroll’s Alice books. Well, looking over some old blog pages yesterday I came upon the page dedicated to Alice illustrations. In particular those of one of the later illustrators of the books whose work I love, Mervyn Peake. I’ve sketched about 8 of them up to this point. Yesterday, having painted a birthday card for my wife (birthday at the weekend) I wasn’t up for any particularly heavy or detailed sketching I though – I know – I’ll do another Peake copy, of one of the simpler illustrations. – So it was that I grabbed the Moleskine, and made the sketch. Bloody enjoyed it too, if truth be told. Here’s the two for comparison.



Mine


Comparison